MÛ au quotidien presents Ingrid Cogne recent iterations wherein the concept “move and be moved” performs in the everyday through formats of conversation that call for various dramaturgies – depending on the situations at play. Cogne works in, between, and in-between expanded choreography and process-oriented re/search to underline, question and appreciate the complexity of a conversation which is – beside combining spoken and bodily languages – supported by optic, acoustic, and energetic perceptions. The multi-layers of the solicited perceptions invite multiple possibilities of filtering (reading/understanding/interpreting/re-learning) the content circulating within a conversation, when the modalities of its appearance constantly change and have different temporalities. In her work, Cogne flirts with im/materiality to insist on spaces of and for movements, to call for motricity, and to support possible un/conscious choices, transformations, and rearticulations.